Happy Ninetieth Anniversary, Amazing Stories

AmazingStoriesVolume01Number01_0000Science fiction its modern sense can be said to have begun in April 1926, with the publication of the first issue of Amazing Stories, under the editorship of Hugo Gernsback. Certainly genre magazine science fiction started then in the sense of having a magazine dedicated to science fiction stories. Previously science fiction had appeared across a wide range of magazines and publications, Amazing Stories was the first magazine to specifically concentrate on publishing science fiction. This is a somewhat controversial position as there are other reasonable origins for the field of science fiction. History is rarely simple.

For example, Gernsback was promoting what he called “scientifiction” and not “science fiction”. Soon his scientification would become better known as science fiction. I had always assumed that stf (the abbreviation for scientifiction) was soon replaced by the easier to say science fiction, asnd this happened as early as the 1930’s. Recently when I was skimming through issues of science fiction magazines from the nineteen-forties and nineteen-fifties I found a 1952 issue of, what may have been, Startling Stories promising that it delivered the “Best in Scientifiction” for its readers. This wasn’t a single instance, scientifiction hung around around longer than expected. So, stf as a term was still in currency nearly twenty-seven years after the first Amazing Stories. Other magazines of around the same time were also claiming to publish scientifiction, but, of course, not all. Magazines like AstoundingGalaxy, and, naturally, the Magazine of Fantasy and Science Fiction clearly saw themselves as venues for science fiction.

Amazing Stories, while it was the first dedicated science fiction magazine, it wasn’t the first pulp science fiction magazine. Pulp magazines were cheap, mass circulation magazines using poor quality paper. The magazines in Gernsback stable of publications, Gernsback was first and foremost a publisher of technical magazines for popular consumption. The titles of which appear at the bottom of the cover page. These weren’t pulp magazines, so neither was Amazing Stories. The honour for the first pulp science fiction magazine goes to Astounding Stories of Super-Science which was first published in 1929, which was, according to my investigations, the second science fiction magazine proper. Interestingly, Weird Tales, which is usually thought of as a magazine of supernatural fantasy and horror was also a publisher of science fiction too. A case in point Edmond Hamilton’s Interstellar Patrol series appeared in first in Weird Tales, beginning in the late 1920s.

What did Gernsback offer his readers in April 1926? A glance at the table of contents reveals the following. Beginning with the serial in two parts of Off on a Comet (Jules Verne; 1/2), The New Accelerator (H. G. Wells), The Man From the Atom (G. Peyton Wertenbaker), The Thing From—”Outside” (George Allan England), The Man Who Saved the Earth (Austin Hall), and The Facts in the Case of M. Valdemar (Edgar Allan Poe). 

It’s an interesting mix of mainly reprints and a couple of new stories by writers whose fame time has extinguished. Not necessarily the strongest beginning, but science fiction was in the process of being born and it had a long to way to go before it would find its feet. However, issue number two has “The Runaway Skyscraper” by Murray Leinster. An author whose reputation hasn’t entirely been eclipsed and who continued writing for many decades afterwards. That might be a good point for the start of the road from scientifiction to what has become science fiction and which continues to transform and create itself anew right up to the right and into the future.

This began ninety years ago. So, happy anniversary, ninety years young, Amazing Stories, to the birth of one of science fiction’s many origins and the likely foundation of what science fiction culture has become.

Ditmar Awards 2016

Winners in each category highlighted in bold yellow

Best Novel

The Dagger’s Path, Glenda Larke (Orbit)
Day Boy, Trent Jamieson (Text Publishing)
Graced, Amanda Pillar (Momentum)
Lament for the Afterlife, Lisa L. Hannett (ChiZine Publications)
Zeroes, Scott Westerfeld, Margo Lanagan, and Deborah Biancotti (Simon and Schuster)

Best Novella or Novelette

“The Cherry Crow Children of Haverny Wood”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)
“Fake Geek Girl”, Tansy Rayner Roberts, in Review of Australian Fiction, volume 14, issue 4 (Review of Australian Fiction)
“Hot Rods”, Cat Sparks, in Lightspeed Science Fiction & Fantasy 58 (Lightspeed Science Fiction & Fantasy)
“The Miseducation of Mara Lys”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)
“Of Sorrow and Such”, Angela Slatter, in Of Sorrow and Such (Tor.com)
“The Wages of Honey”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)

Best Short Story

“2B”, Joanne Anderton, in Insert Title Here (FableCroft Publishing)
“The Chart of the Vagrant Mariner”, Alan Baxter, in Fantasy & Science Fiction, Jan/Feb 2015 (Fantasy & Science Fiction)
“A Hedge of Yellow Roses”, Kathleen Jennings, in Hear Me Roar (Ticonderoga Publications)
“Look how cold my hands are”, Deborah Biancotti, in Cranky Ladies of History (FableCroft Publishing)

Best Collected Work

Bloodlines, Amanda Pillar (Ticonderoga Publications)
Cherry Crow Children, Deborah Kalin, edited by Alisa Krasnostein (Twelfth Planet Press)
Cranky Ladies of History, Tansy Rayner Roberts and Tehani Wessely (FableCroft Publishing)
Letters to Tiptree, Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
Peripheral Visions: The Collected Ghost Stories by Robert Hood (IFWG Publishing Australia)

Best Artwork

Cover art, Rovina Cai, for “Tom, Thom” (Tor.com)
Cover art, Kathleen Jennings, for Bloodlines (Ticonderoga Publications)
Cover and internal artwork, Kathleen Jennings, for Cranky Ladies of History (FableCroft Publishing)
Cover, Shauna O’Meara, for The Never Never Land (CSFG Publishing)
Illustrations, Shaun Tan, for The Singing Bones (Allen & Unwin)

Best Fan Publication in any Medium

The Angriest, Grant Watson
The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts
SF Commentary, Bruce Gillespie
The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best Fan Writer

Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
Ian Mond, for body of work, including The Hysterical Hamster
Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
Katharine Stubbs, for body of work, including Venture Adlaxre
Grant Watson, for body of work, including reviews in The Angriest

Best Fan Artist

Kathleen Jennings, for body of work, including Illustration Friday
Belinda Morris, for body of work, including Belinda Illustrates

Best New Talent

Rivqa Rafael
T. R. Napper
D. K. Mok
Liz Barr

William Atheling Jr. Award for Criticism or Review

Letters to Tiptree, Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
The Rereading the Empire Trilogy review series, Tansy Rayner Roberts
The Reviewing New Who series, David McDonald, Tansy Rayner Roberts and Tehani Wessely
“Sara Kingdom dies at the end”, Tansy Rayner Roberts in Companion Piece (Mad Norwegian Press)
“SF Women of the 20th Century”, Tansy Rayner Roberts
Squeeing over Supergirl, David McDonald and Tehani Wessely series

Celebrating Shakespeare

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“The magic of Old Scotland was a very different matter to hers, a thing of fairies and diabolic pacts, chaining its practitioners to ruinous powers she had no intention of dealing with. her magic was book magic, an outgrowth of the natural philosophy that had made her such a prodigy as a doctor, able to cure all ills and almost raise the dead. Hers was the magic of an age of reason: of alchemy and philosophy and the clear light of day, not the smoke and cobwebs of the past’s dark night.” — Even in the Cannon’s Mouth, Adrian Tchaikovsky

Five excellent authors play with the characters from Shakespeare, sometimes crossing plays and centuries in the process. An interesting modern take on the Bard’s tales.

Every Heart a Doorway

Screen Shot 2016-04-24 at 10.52.43 PMA new novella by Seanan McGuire published by Tor.com

“Eleanor West’s Home for Wayward Children No Solicitations No Visitors No Quests. Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere… else. But magical lands have little need for used-up miracle children.”

Highly recommended by Tansy of Galactic Suburbia

Megapacks galore

One of the nice things about ebooks is the chance to purchase collections of old stories in useful bundles or “megapacks” for a pittance (typically 99c). As well as classic selections, Wildside have also released a series of classic SF stories  from the early magazines, as well as single author collections. You can find some of this material from Project Gutenberg for free, but the magazine work is harder to get. And these are nicely formatted epubs. 

Screen Shot 2016-04-24 at 10.22.59 PMThe Cthulhu Mythos MEGAPACK

40 Modern and Classic Lovecraftian Stories by H.P. Lovecraft, T.E.D. Klein, Clark Ashton Smith, Robert E. Howard, Brian Stableford, Brian McNaughton, Robert Bloch, Stephen Mark Rainey, Lin Carter, Lawrence Watt-Evans, Adrian Cole, John Gregory Betancourt, Colin Azariah-Kribbs

Wildside Press ISBN:9781434448903

Screen Shot 2016-04-24 at 10.25.28 PMThe Utopia MEGAPACK

20 Classic Utopian and Dystopian Works
by Sir Francis Bacon, Samuel Butler, William William Morris Morris
Wildside Press   ISBN:9781479404254

 

 

Screen Shot 2016-04-24 at 10.28.50 PMThe Professor Challenger Megapack

The Complete Series
by Arthur Conan Doyle

Wildside Press  ISBN:9781479402922

 

 

Screen Shot 2016-04-24 at 10.32.48 PMThe Robert Sheckley Megapack

15 Classic Science Fiction Stories by Robert Sheckley

Wildside Press    ISBN:9781434446176

 

 

 

Screen Shot 2016-04-24 at 10.36.38 PMThe Arsene Lupin MEGAPACK

11 Classic Crime Books!
by Maurice LeBlanc

Wildside Press      ISBN:9781479405138

 

 

Screen Shot 2016-04-24 at 10.40.23 PMThe Seventh Science Fiction MEGAPACK

25 Modern and Classic Stories
by Robert Silverberg, Arthur C. Clarke, Marion Zimmer Bradley, Lawrence Watt-Evans, Mike Resnick
Wildside Press    ISBN:9781434443519

SAWC SF&F Festival

Crit Massers might be interested in this event:

Put Saturday 7 and Sunday 8 May in your diary for the Spec Fiction and Fantasy Writers Fest. FEATURING: Gillian Rubinstein, Sean Williams, Lisa L Hannett, Ben Chandler, Jason Fischer, DM Cornish,  Tony Shillitoe, Jo Spurrier and Tehani Wessely. This two day premium event will include exclusive writing classesplus networking events, industry panels, and a very special reading performance by award winning local and interstate writers Saturday evening.There is will also be a workshop run by a publisher on tips for pitching your work! Suitable for all writers interested in speculative fiction, including fantasy, science fiction, horror, and other worlds.

Prompt bookings are essential. Bookings close 5pm, 28 April or when sold out.

Rivers of London: Body Work

Those of you who are fans of Ben Aaronovitch’s Rivers of London series of books might want to pick up the collected Body Work comic story from Titan comics: it’s an original story about PC Grant and Inspector Nightingale of the met’s special Falcon division (dealing with magic events), which takes place between the events in the novels Broken Homes and Foxglove Summer.

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Body Work is the story of the most haunted car in London

Keep an eye out for the serialised chapters of Rivers of London: Night Witch at your local comics shop.

 

Hard to be a God

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The good news is there is a new, excellent translation of this 1964 novel by the Strugatsky brothers.

Unlike the earlier translation, which Ken MacLeod had difficulty reading, “No reader of this fine new translation will have that reaction. The story grips from start to finish: a smooth and fast gallop full of colour, adventure, action, and intrigue. Set on a feudal planet entering – and a kingdom being violently held back from entering – its equivalent of the Renaissance, it was at first conceived as an exciting adventure story in the manner of The Three Musketeers, albeit with alien (i.e. in this case human) observers caught up in the caper. The beginnings of a reaction in the early 1960s against the post-Stalin Soviet ‘thaw’ in cultural policy made the authors deepen and darken the tale, to present a strong and subtle argument about morality, politics, and history.” — Ken McLeod’s Introduction to the new translation by Olena Bormashenko

see Strange Horizon’s review by Gautam Bhatia