The BBC Radiophonic Workshop made the famous science fiction theme tune and worked with the Beatles. Now it is preparing to make history
The Radiophonic Workshop has always broken new sonic ground, from the Doctor Who theme to the Hitchhiker’s Guide to the Galaxy. Now they’re at it again – this time using the internet as a musical instrument.
A performance of Latency will take place at a special online event on 22 November using a technique inspired by lockdown Zoom calls. The band includes composers from the original BBC Radiophonic Workshop, which created soundtracks for most BBC shows from the 60s to the 90s and influenced generations of musicians from Paul McCartney, Pink Floyd and Mike Oldfield to Aphex Twin, Orbital and Mary Epworth.
“The idea [of playing the internet] reflected our time,” said workshop member Peter Howell. “We’re all subject to the internet now in a way that we never thought we would be. And Bob and Paddy came up with an idea that is literally using what we’re all relying on for a creative purpose, using something that we’ve all taken for granted but in an artistic way.”
The internet has an unpredictable natural lag, or latency, caused by the milliseconds it takes for electrical signals from one computer to reach another, as anyone using Zoom has experienced.
The trick that Earland and Kingsland discovered was that they could extend the internet’s delay from a few milliseconds into several seconds. Instead of trying to play at the same time, the Radiophonic Workshop will play one after another – in sequence, rather than in parallel.
“We had the bright idea of using that latency to make a loop of music,” Earland said. “The sound gets sent to someone, and they add to it, and it keeps going round. So you’re not relying on everyone being on the same clock.”By James Tapper, from The Guardian, 15 Nov
Last weekend saw several hundred sf fans enjoy an online sf convention designed to provide social spaces for people to chat, discuss, debate and play as they might in a face-to-face convention. Punctuation Con was organised by GUFF winner Alison Scott and her colleagues from the #octothorpe podcast; they used Zoom, Discord and Streamyard to present panels and talks, provide rooms for group games and discussion, and encourage fans to talk about their passions. The Aussie Drinks Room included people from Adelaide, Canberra and Wellington as well as the curious fans from around the world. Bilby and Kwoll agree that it was a very well done convention, and hope to use some of these ideas in a mini con in January next year. (VirConium?)
As part of planning for an online minicon, we’re going to hold some Zoom sessions to test out ideas on Saturdays over the next few weeks (around 8pm Adelaide time, so that overseas fans can join in if they wish). If you’re interested in taking part (we’re looking for guinea pigs), contact Roman (firstname.lastname@example.org)
Over the past seven years, Michael Swanwick presented a new fiction series at Tor.com, consisting of stand-alone stories all set in the same world—an alternate fin de siècle Europe shot through with magic, mystery, and intrigue. The first nine in a projected series of 21 are published by Tor.
Please read a few or perhaps all of the stories in the series. They can be found on the Tor.com website, listed in order on this page: Mongolian Wizard
Time: Nov 18, 2020 7:00-8:30pm Adelaide (7:30-9:00pm Melbourne)
Note: There will be a ten minute tea-break at around 7:40
Meeting ID: 841 1137 3665
While this is the last in our set of formal meetings, we will be planning a gathering in early december. If we aren’t under strict lockdown, perhaps dinner in a restaurant; otherwise a zoom gathering for a chat/puzzle/game/panel*
The Midnight Circus, Jane Yolen (Tachyon 978-1-61696-340-8, 242pp, $16.95, tp) October 2020.
The Midnight Circus is the third collection of Jane Yolen stories from Tachyon in the last three years, following The Emerald Circus (which won a World Fantasy Award in 2018) and How to Fracture a Fairy Tale. Collectively these rather modest volumes are giving us a pretty good sense of what a Selected Stories volume might look like, and it might look pretty important. Yolen’s astonishing bibliography, closing in on 400 volumes as I write this (and who knows, maybe passing 400 by the time you see it) represents an almost unprecedented synthesis of centuries of worldwide tale-telling, at all levels, from kid’s board books to challenging novels of the Holocaust.
— full review by Gary K Wolfe at Locus
- Queen of the Conquered, by Kacen Callender (Orbit)
- Silver in the Wood, by Emily Tesh (Tor.com)
- “Read After Burning,” by Maria Dahvana Headley, (A People’s Future of the United States)
- New Suns: Original Speculative Fiction by People of Color, edited by Nisi Shawl (Solaris)
- Song For the Unraveling of the World: Stories, by Brian Evenson (Coffee House Press)
- Kathleen Jennings
SPECIAL AWARD – PROFESSIONAL
- Ebony Elizabeth Thomas, for The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (New York University Press)
SPECIAL AWARD – NON-PROFESSIONAL
- Bodhisattva Chattopadhyay, Laura E. Goodin and Esko Suoranta, for Fafnir – Nordic Journal of Science Fiction and Fantasy Research
- Rowena Morrill
- Karen Joy Fowler
Info from Mike Glyer, File770
Over the past seven years, Hugo and Nebula Award-winning author Michael Swanwick presented a new fiction series at Tor.com, consisting of stand-alone stories all set in the same world—an alternate fin de siècle Europe shot through with magic, mystery, and intrigue.
For this Critical Mass, we’re going to discuss the series to date: please read a few or perhaps all of the stories in the series. They can be found on the Tor.com website, listed in order on this page: Mongolian Wizard
Time: Nov 18, 2020 7:00-8:30pm Adelaide (7:30-9:00pm Melbourne)Note: There will be a ten minute tea-break at around 7:40
Meeting ID: 841 1137 3665
Guest Speaker & Locus critic Ian Mond on his top 11 books of the 2020 year. Why 11? There’s a tie…
Social distancing arrangements do not allow a full Nova Mob meeting at the Kensington Town Hall, so we will continue with the Zoom video conferencing.
Murray hopes to have the recording of October’s Nova Mob celebration of John Bangsund’s life available early in November.
Congratulations to Bruce Gillespie on his Ditmar win!
You are invited to a scheduled Zoom meeting.
Topic: Mondiale – the 2020 world of books that are terrific sfnal stuff but probably aren’t marketed that way so log in to find the true quill. [Nova Mob Nov 2020] Ian Mond
Time: Nov 4, 2020 08:00 PM to 09:30PM Melbourne time,
7:30 to 9pm Adelaide time
Join Zoom Meeting
Meeting ID: 417 758 3193
The 2020 edition of Some of the Best from Tor.com is an anthology of 29 favorite short stories and novelettes selected from the stories Tor have published this year. The eBook edition will be available for free on January 5, 2021. Of course, you can enjoy all of these stories right now at the links listed here.
Our guest for the October 21st Crit Mass is Kathleen Jennings, writer and artist. Kathleen Jennings is based in Brisbane. As an illustrator, she has been shortlisted four times for the World Fantasy Awards, once for the Hugos, and once for the Locus Awards, as well as winning a number of Ditmars. As a writer, she has won two Ditmars and been shortlisted for the Eugie Foster Memorial Award and for several Aurealis Awards.
Critical Mass: Kathleen Jennings
Starts at Oct 21, 2020 07:00 PM Adelaide (7:30 Melbourne/Sydney, 6:30 Brisbane)
Part One: 7:00pm Adelaide (7:30 Melbourne, 6:30 Brisbane):
Talk by Kathleen Jennings, followed by questions
<tea break> 7:40 — 7:50pm
Part Two 7:50pm Adelaide (8:10 Melbourne, 7:20 Brisbane)
More questions and Discussion with Kathleen
Meeting ends 8:30 Adelaide (9m Melbourne, 8pm Brisbane)
Zoom Meeting ID: 721 7823 2704
The winners of the 2020 Ditmar Awards for Australian SF were announced in an online ceremony on September 18, 2020:
Best Short Fiction
- WINNER: “Whom My Soul Loves”, Rivqa Rafael (Strange Horizons 11/11/19)
- Into Bones Like Oil, Kaaron Warren (Meerkat Shorts)
Best Collected Work
- WINNER: Collision, J.S. Breukelaar (Meerkat)
Best Fan Publication in Any Medium (tie)
- WINNER: Be the Serpent
- WINNER: SF Commentary
Best Fan Writer
- WINNER: Elizabeth Fitzgerald for reviews in Skiffy and Fanty
- Bruce Gillespie for writing in SF Commentary and ANZAPA articles
Best New Talent
- WINNER: Freya Marske
William Atheling, Jr. Award for Criticism or Review
- WINNER: FictionMachine reviews, Grant Watson
- Writing Speculative Fiction, Eugen Bacon (Red Globe)
There were insufficient nominations for the Best Artwork and Best Fan Artist categories.