fans of sf, fantasy, horror & whimsy
Short pieces: things to look out for
With the Fringe, the car race, and the unavailability of speakers, we’ve decided to cancel the March 1st meeting. We’ll try and make it up to you with a special extra meeting later in the year.
Our apologies if you were looking forward to it: go watch The Incredible Adventures of Adele Blanc-Sec if you need your SF fix!
iOTA is a little efanzine put together by Leigh Edmonds for the singular purpose of keeping informed the fans who are interested the progress of his project to write a history of Australian sf fandom with a focus on the period from 1956 to 1975, and sundry offences.
Leigh’s kindly sent me electronic copies, and we chatted last weekend about how it’s progressing. As a professional historian, he’s talking to key fans active pre-1975 and sharing his interim results in iOTA. You can download copies at efanzines.
As he notes in the first issue:
The first reason for researching and writing as history of Australian fandom is; why not? From an academic point of view, I think that a history of what science fiction fans did might be considered a vital adjunct to the current study of science fiction, due to the very close relationship between sf and fandom over the generations. I’m also keen to do this because most of my recent history projects have been about large organizations employing thousands of people, and I’m looking forward to a project in which it is possible to get closer to people and their daily lives. Perhaps most important, this project will tell a story about what fans did and what their lives were like. We had fun, didn’t we? That should be worth celebrating.
Perhaps better described as a cross between Indiana and Lois Lane, our intrepid reporter, Adèle deals with curious events in pre-war Paris (1911).
The wonderful SBS recently screened The Extraordinary Adventures Of Adèle Blanc-Sec, the glorious fantasy based on a french graphic novel series. If you haven’t seen it yet (for some reason it didn’t get general cinema release, despite its well-known director), you can view it via SBS’ OnDemand service on their website. Worth catching if only for the most violent tennis match you’ll ever see on screen!
Luc Besson directs this visually impressive adaptation of the graphic novel following an independent-minded writer who becomes embroiled in a mystery involving mummies, bad guys, and dinosaurs in pre World War I Paris. Desperate to cure her near catatonic sister, intrepid authoress Adèle Blanc-Sec braves ancient Egyptian tombs and modern Egyptian lowlife to locate a mummified doctor and get him back to Paris. Her hope is that oddball Professor Espérandieu will then use his unusual powers to bring the doctor back to life so he, in turn, can use his centuries-old skills on the unfortunate sister. In Paris however Espérandieu is already causing mayhem, having brought to life what was a safe museum egg but is now a very active pterodactyl.
While we’re talking about Philip Pullman, you might want to view his commentary from the Guardian, June 2016:
There is our country’s post-imperial reluctance to let go of the idea that we are a great nation, combined with our post-second-world-war delusion that we were still a great power. That was why we refused the chance to join the European Coal and Steel Community in 1951, and our infatuation with our own greatness was sufficiently undamaged by Suez in 1956 to make us refuse to join the EEC when that got going with the Treaty of Rome in 1958. If we’d committed ourselves to Europe early, with everyone else, we’d now have a much deeper understanding of our real relationship to the continent, namely that we belong there.
He also has some scathing things to say about Australian media moguls, the British Labour Party and the British Constitution. Worth a read.
I still wasn’t sure whether England was in Europe or not; I had the impression that the English would have quite liked to be in Europe as long as they were running it, but weren’t particularly bothered otherwise
— Dave Hutchinson, whose character was commenting on English attitudes in the middle book of his Fractured Europe trilogy
Set to come out on 19 October, the as yet untitled first volume of The Book of Dust will be set in London and Oxford, with the action running parallel to the His Dark Materials trilogy. […] Pullman’s brave and outspoken heroine Lyra Belacqua will return in the first two volumes. Featuring two periods of her life – as a baby and 20 years after His Dark Materials ended […]
Announcing the new books, the Oxford-based former teacher said he returned to the world of Lyra because he wanted to get to the bottom of “Dust”, the mysterious and troubling substance at the centre of the original books. “Little by little through that story the idea of what Dust was became clearer and clearer, but I always wanted to return to it and discover more,” Pullman said.
In a description that will resonate with the current political climate, he added that “at the centre of The Book of Dust is the struggle between a despotic and totalitarian organisation, which wants to stifle speculation and enquiry, and those who believe thought and speech should be free”.
— from The Guardian, 15 Feb
Gun, With Occasional Music by Jonathan Lethem
Lethem’s now-classic update on San Francisco noir features a hardboiled, highly sarcastic detective named Metcalf, a murder, and a conspiracy that might just go all the way to the top. But this version of San Francisco also features uplifted animals (like the Mafiosi kangaroo Metcalf keeps running into), mature babies with their own subculture, and quantifiable karma that people use as social credit—when you use up all your karma, you have to go to cryo-sleep until you pay it off. Against this background, Metcalf attempts to solve the murder of Maynard Stanhunt, despite the fact that no one seems to want him to solve it. And, oh yeah, in this universe asking questions is socially unacceptable, and detectives are utter pariahs. Did I mention that guns literally play disturbing music when you draw them? Gun, With Occasional Music was nominated for a Nebula Award in 1994.
— from Leave Your Heart in San Francisco with 10 Sci-Fi and Fantasy Stories! by Leah Schnelbach on Tor.com.
Check out the other 9 on their website!
You always get asked, “When did you know you wanted to be a writer?” And, of course, there’s no answer, or a thousand answers that are all equally valid. But I usually say, “In high school, when I read Zelazny’s Lord of Light.”
— Stephen Brust, witing on tor.com “Five Roger Zelazny Books that Changed My Life by Being Awesome”
Before we start this year’s series of talks proper, we thought it would be good to have a session for newcomers.
Come along and
So for February 1st, we invite you to think about what you’ve read/seen/heard in 2016 and tell us
(a) what’s new and exciting
— why is it interesting?
— is there anything like it in the field of sf/fantasy?
(b) what old stuff you’re discovered in the last year;
(c) what you’ve enjoyed over the new year break.
As usual, a 7pm start at kappys, 22 Compton St in the City on Wednesday, Feb 1st
Bring your mobile device to look at the website!
You’re cordially invited to join us in celebrating thirty years of this discussion group which meets once a month to critically discuss SF & Fantasy.
Traditionally, our last meeting of the year is an outing for food & drink.
This Wednesday, December 7th, we’re meeting at a cafe/bar called East of Norman, which is on Sturt Street, just east of Norman Street, adjacent to the Ergo Apartments.
Turn up at 6pm, and feel free to bring a friend to help celebrate!
The Adelaide Fan Review 
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