Then there was Kim Stanley Robinson’s towering The Ministry for the Future. It was published in October, but I got to read it in mid-February. It struck like a mallet hitting a gong, reverberating through the year. Told mostly from the perspectives of a young aid worker who survives a horrific tragedy in India and a middle-aged Irish bureaucrat running a UN body tasked with representing the rights of future generations in a time of eco-collapse, it’s terrifying, unrelenting, but ultimately hopeful. Robinson is the SF writer of my lifetime, and this stands as some of his best work. It’s my book of the year.
Jonathan Strahan, Notes from a Year Spent indoors…, Locus Magazine
Category: Critical Mass News
News items which go out to a monthly newsletter
Boskone’s interview series
Boskone 58, to be held February 12-14 has been running a series of interview posts.
Dr. Gillian Polack
…If you were planning a holiday or vacation and could visit any location, whether in the real world or fictional worlds, where would you go? Why?
I love portal fantasies. I always dreamed of the doors in other peoples’ writing and of walking through those doors into enchanted lands. Then I wrote my own. I now want to visit the house in Borderlanders and travel to strange places. I seldom want to visit anywhere I’ve written about, for I know all the downsides of all the places, but doors that lead to hidden seas or to rooms lined with liquid glass? That’s different.
more interviews & details from file770.com
‘Man Who Fell to Earth’ Series in production at Paramount Plus
Chiwetel Ejiofor has been cast in the lead role of “The Man Who Fell to Earth” series currently in the works at Paramount Plus, Variety has learned.
see details in the piece by Joe Otterson, Variety
The series is based on Walter Tevis’ 1963 novel and the 1976 Nicolas Roeg film that starred David Bowie, both of the same name. In the series version, a new alien character (Ejiofor) arrives on Earth at a turning point in human evolution and must confront his own past to determine our future.
Critical Mass Feb 17th: At the Movies
This month’s Crit Mass will be an in person meeting at Kappys!
(You can also join via zoom if you think it’s too soon for public gatherings)
We’re inviting members to pick 5 sf films they’d like to talk about (whether for good or ill is up to them), and to gather at Kappys Tea & Coffee merchants, 22 Compton St Adelaide, from 6:45pm for a 7pm start of the Crit Mass meeting on February 17th. Old or New, Good or Bad, let us know why the film is of interest!
As you might expect, you’ll have to conform to Kappys COVID requirements.
For those who wish to join remotely:
Topic: Crit Mass, Adelaide
Time: Feb 17, 2021 07:00 PM Adelaide, 7:30 Melbourne
Join Zoom Meeting
https://us02web.zoom.us/j/83772232344?pwd=cDhjVjZNWG5NelhMaEtuWjJaVVdjdz09
Meeting ID: 837 7223 2344
Passcode: CritMass
The LeGuin Stamp
The United States Postal Service announced Jan 15th it will issue a stamp featuring one of the greats of science fiction, the late Ursula K. Le Guin, in 2021. The stamp portrays Le Guin in front of a scene from one of her Hugo-winning novels The Left Hand Of Darkness. The art for the stamp was done by three-time Hugo winner Donato Giancola.
from File770.com
Crit Mass: Is it time to gather again?
Several members have asked whether it might not be time to meet in person again. If we wished to meet at Kappy’s for the February meeting, they would be willing to host us.
Two questions then, for the members of Critical Mass in Adelaide:
(i) do we want to gather in person in February? or is it too soon?
(ii) who wishes to talk about something this month?
We intend to continue with a zoom component, for those interested who might not be able to meet in person.
Please respond to these questions to either Roman or Adam, so that we might make appropriate action.
Nova Mob, Feb 3rd — Gothic Architectures of the Mind
from the Nova Mob newsletter
Our first meeting of the year is on 3 February at Kensington Town Hall 8.00pm! And also in Zoom!
Yes we are able to meet again in person, with quasi-embarrassed elbow bumps, diligent hand hygiene, and suitable record-keeping. But we’ll still be doing Zoom, running it at the same time as the in-person meeting. I’d like to introduce our guest speaker for the 3rd Feb:
DMETRI KAKMI, who will be taking us on a reader’s, writer’s, and editor’s traverse through the gothic architectures of the mind.
Dmetri immersed himself in horror novels and films during his childhood, and those wide-ranging reading habits in the gothic have culminated in him writing in the genre and bringing that knowledge to his role as senior editor. This could lead to interesting discussions about how genre writing is perceived in major publishing houses in Australia, insights into favourite authors, digressions, etc.Wednesday February 3rd 8.00pm – 9.30 pm or so, [7:30pm Adelaide time]
first floor Conference Room, Kensington Town Hall
30 – 34 Bellair St Kensington VIC 3031Kakmi notes:
“To give you an overview, from the late 1970s I started reading Stephen King, Ursula Le Guin, Arthur C Clarke, Richard Matheson, Ray Russell, Alfred Bester, Anne Rice, Chelsea Quinn Yarbro, M R James, Algernon Blackwood, Arthur Machen etc. In terms of influences on my writing, I look to Shirley Jackson (I gave an online lecture about The Haunting of Hill House at Writers Victoria mid 2020), Susan Hill, Patrick MacGrath and Robert Aikman. Certainly, these four hang heavy over The Door and Other Uncanny Tales.”The Door and Other Uncanny Tales has just been published; copies will be on sale and can be signed or inscribed or indeed both. See below for the official bio, to which we append Lucy Sussex’s commendation: “Dmetri? He’s most amusing”. In order to belie that reputation, Dmetri has provided a photo of himself in Serious Author mode.
Dmetri Kakmi was born to Greek parents in Turkey. For 15 years he worked as senior editor at Penguin Books. The memoir Mother Land was shortlisted for the NSW Premier’s Literary Awards 2008, and is published in England and Turkey. He is the editor of the acclaimed children’s anthology When We Were Young. The essay ‘Night of the Living Wog’ is published in Joyful Strains: Making Australia Home, edited by Kent MacCarter and Ali Lemer. ‘A History of Violence’ is published in The Body Horror Book, edited by Claire Fitzpatrick. ‘The Tranny Horror From Outer Space’ is published in Ornaments From Two Countries, edited by Peter Polites. The short story ‘The Boy by the Gate’ was reprinted in The Year’s Best Fantasy and Horror 2013. ‘Haunting Matilda’, published in Cthulhu Deep Down Under, was shortlisted for Best Fantasy Novella in the Aurealis Awards, 2015. Both of these stories are reprinted in Dmetri’s new book The Door and Other Uncanny Tales, which was released in late 2020. He lives in Melbourne.
Website: dmetrikakmi.com.auBy Zoom:
Can’t attend in person? The Nova Mob invites you to a scheduled Zoom meeting.
Topic: Nova Mob 3 Feb Dmetri Kakmi 8.00pm AEDT, 7:30 Adelaide time
Time: Feb 3, 2021 login after 7.20 PM Adelaide time
https://us02web.zoom.us/j/4177583193?pwd=VjdPL1BhSTBNclN2YnRsejN3Y1hlUT09Meeting ID: 417 758 3193 Passcode: nova
Kathleen Jennings on Gothic
Our guest speaker from October has just published an article on tor.com called Six Stories for Fans of Beautiful Australian Gothic:
Like most Gothics, the Australian Gothic has acquired its own distinct aesthetic—most frequently, an abject unpleasantness and atmosphere of sand-scoured horror. Personally, I’d like to blame both Evil Angels (aka A Cry in the Dark) and Gary Crew’s memorably effective Strange Objects (1990) for many of my own nightmares.
It is also, like most Gothics, tangled up with the genre’s own past, and inextricably knotted into colonial and imperial histories as well as the multitude of other mirrored and recurring histories typical of a Gothic plot. And Australia has a bloody history, with terrible things done and still being done. Yet there are also stories which, without shying away from terrors (although not necessarily innately any better at handling the true history than other varieties of Australian Gothic), manage in a variety of fascinating ways to capture a sense of great (even sublime, often terrifying, never false) beauty.
— Kathleen Jennings, “Six Stories for Fans of Beautiful Australian Gothic“, tor.com, Jan 19th
Update on Mass Con
We’ve now added a draft program to the Mass Con ’21 post.
Here’s a link to the PDF spreadsheet: https://www.dropbox.com/s/6n7io718u5iohmt/TimetableW.pdf?dl=0
Please have a look and tell us:
(i) if we’ve left something out;
(ii) if you’re interested in joining one of the panels;
(iii) if you’d like to suggest a panel;
(iv) if you can host the zoom site for an hour or two: this involves welcoming newcomers, helping them with the zoom, and pointing out the program and items currently happening or about to start (training will be provided for those willing to be hosts).
Mass Con Jan 31st
Critical Mass is planning another single day mini convention.
Unlike other years, this one will be online from 12noon til 8pm, Adelaide time on Sunday January 31st.
We’ve organised a reprise of Eugen Bacon’s talk on Afrofuturism, and Adam Jenkins digs deep in history to tell us about A True Story by Lucian of Samosata.
There’s a panel on the New Doctor Who; talks on interesting new SF&F in print and on air; a talk about the Adelaide Uni SF Association, formed fifty years ago in 1971; and an assortment of podcasters to talk about their art. Add a few games, a reading of The Frankenstein Burlesque and time to chat with fellow fans in a virtual bar or two, and it should be an interesting day.
If you are interested in attending, or have an idea for a talk or panel you’d like to see, please contact roman (websmith@internode.on.net), We’re also looking for volunteers to host the zoom and welcome guests (in one hour shifts, training provided).
Login details:
Time: Sunday Jan 31, 2021 12noon Adelaide, 12:30pm Canberra, Melbourne, Sydney
Join Zoom Meeting
https://us02web.zoom.us/j/86013693109?pwd=NEdzZTVMaFlRZlByWmxUZFAxaTNSZz09
Meeting ID: 860 1369 3109
Passcode: MassCon
Draft programme as at wed 27th below: updates posted here.
| Time (Adelaide) | The Foyer | Munden’s | Callahan’s | Space bar | The Patio | The lounge | The Bronze | Taffey’s |
| 12 noon | Opening welcome (15mins) | |||||||
| 12:20 | New Written SF Panel with Kate Treloar, Tony Thomas, Roman Orszanski, ??? (40mins) | |||||||
| 12:40 | ||||||||
| 1pm | “Afrofuturism, Speculative Fiction, genre boundaries and interfaces”: Eugen Bacon (30mins) | |||||||
| 1:20 | ||||||||
| 1:40 | Quiz (movies) (20min) | |||||||
| 2pm | Early days at AUSFA 2021 is the 50th anniversary of the founding of the Adelaide Uni SF Association (AUSFA), we thought it might be interesting to have a panel on the origins of AUSFA. Alan Sandercock, Jeff Harris, Joy Window??, along with a few fans from later years. 40mins | |||||||
| 2:20 | ||||||||
| 2:40 | Treasure Hunt (20min) | |||||||
| 3pm | From Fan to Pro:John D Berry (30mins) | |||||||
| 3:20 | ||||||||
| 3:40 | A True Tale Adam tells us about a very old SF story: Widely hailed as the first science fiction story, A True Story, by Lucian of Samosata is a voyage to the edges of the universe and reason. The title is the first clue that this will be a tall tale. 40mins | |||||||
| 4pm | ||||||||
| 4:20 | Quiz | Steampunk tea party/panel 40 mins | ||||||
| 4:40 | ||||||||
| 5pm | Best new SF on TV Terry Frost & Roman Orszanski & ??40 mins | |||||||
| Charades | ||||||||
| 6pm | Audio/radio drama Roman + ?? looks at some of the interesting audio pieces out and about 30mins | |||||||
| 6:40 | Jewish SF in Australia Gillian Polack (30 mins) | |||||||
| 7pm | ||||||||
| 7:30pm | Podcasting David Grigg [Two Chairs Talking], John Coxon [Octothorpe], Terry Frost [Martian Drive-In/Paleo-Cinema], Christina Lake [This Never Happens] and Roman Orszanski [KRAM-StuFf] talk about how & why they podcast. 40mins | |||||||
| 8pm | ||||||||
| 8:20 | New Doctor Who Panel: Chris Pyman, Karen Carlisle ???? 40mins | |||||||
| 9pm | Frankenstein Burlesque A reading of the script from 1864 We are looking for volunteers to help with the reading… |




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