A group of 51 Australian film critics named George Miller’s 2015 post-apocalyptic action thriller the best Australian film of the 21st century, in a survey conducted by Australian film site Flicks. Other films in the top 10 included David Michôd’s crime drama Animal Kingdom and Jennifer Kent’s horror film The Babadook.
Each critic ranked their 10 top Australian films since 2000, determining for themselves what “Australian film” means (virtually all of the films were either made by Australian filmmakers or produced in Australia). Mad Max: Fury Road appeared in 33 of the 51 lists, making the top three in 22 of them and the #1 spot in 10.
How many of these vampires can you identify, from either movies of TV?
The best story in the March Clarkesworld, and one of the best stories published so far this year, is “The Persistence of Blood” by Juliette Wade. This is a novella set in the midst of a complex alien culture made up of several different, rigidly enforced castes (as far as I can tell, no humans appear in the story), with the protagonist, Selemei, a member of the aristocratic First Family, wife to a high government official, Xeref. The aristocrats have iron-bound traditions about birthing, believing nothing is more important than passing on their blood to the next generation, but in spite of these traditions, or maybe because of them, their numbers keep falling. Selemi herself was crippled and nearly killed by her last childbirth, and knows that giving birth to another child will probably kill her.
— “Gardner Dozois Reviews Short Fiction: Clarkesworld, Lightspeed, and F&SF” in Locus Online
My favourite opening of any book ever is the first paragraph of Richard Rhodes’s masterful nonfiction giant, The Making of the Atomic Bomb. Whenever I am asked about my favourite books, I read it aloud. You should do the same. Go on. I’ll wait.
In London, where Southampton Row passes Russell Square, across from the British Museum in Bloomsbury, Leó Szilárd waited irritably one gray Depression morning for the stoplight to change. A trace of rain had fallen during the night; Tuesday, September 12, 1933, dawned cool, humid and dull. Drizzling rain would begin again in early afternoon. When Szilárd told the story later he never mentioned his destination that morning. He may have had none; he often walked to think. In any case another destination intervened. The stoplight changed to green. Szilárd stepped off the curb. As he crossed the street time cracked open before him and he saw a way to the future, death into the world and all our woe, the shape of things to come.
— Hannu Rajaniemi, “Time Cracks Open for Leó Szilárd in Richard Rhodes’s The Making of the Atomic Bomb”, at tor.com
Andrew looks at the first four novels of The Expanse, which he claims isn’t real SF — by which he means it doesn’t deal with deep, interesting philosophical questions — and Roman reviews the TV series, and suggests it raises several real questions.
Don’t miss this discussion! 6:45 for a 7pm start, at Kappy’s, 22 Compton St, Adelaide, near the central market.
“…what began as agreat work of feminist SF soon devolved into a reactionary mess. The rot began to set in when a moment of intellectual arrogance compounded by bizarre feelings of parental attachment resulted in Martin-Green’s character murdering an alien religious figure […] Since then, Star Trek: Discovery has indulged every right-wing fantasy from the moral necessity of torture through to the inevitability of what is effectively metaphorical racial holy war.”
— from Jonathan McCalmot’s Future interrupted column in Interzone 274
The federal Government is currently debating a frightening Security and Espionage Bill which threatens charities, community groups, civil protests and journalists.
A nive summary is given in The Guardian’s First Dog On the Moon strip
Inspired by Terry Pratchett’s Discworld series, “Troll Bridge” isn’t like most other films – it’s spent over a decade in production, and is entirely fan-made. Such a project may sound like it’s cursed to remain in limbo forever, but the film now has a trailer and is being submitted to festivals around the world. Between this and the upcoming Good Omens adaptation, it appears 2019 may be Pratchett’s time to shine. In the meantime, “Troll Bridge” is available for pre-order thanks to crowdfunding – but a Blu-ray is going to set you back $85.
“Trailer Surfaces For Fan-Made Discworld Film”, Tom Blunt, signature
Break out the celebratory lasagna—The Expanse has been saved! The show will move over to Amazon’s streaming service after its third season ends on Syfy. Jeff Bezos made the announcement himself last night, after a panel at the National Space Society’s International Space Development Conference, which featured three of the show’s stars, Steven Strait, Wes Chatham, and Cas Anvar, along with showrunner Naren Shankar.
Anvar, who has been especially vocal in the #SaveTheExpanse campaign, filmed the announcement and posted it on Twitter.
We’re going to try a discussion about what’s new and old in SF. We will also look at the resurgence of the novella.
We ask you to:
(a) select something new (post 2010) that’s interesting SF,
(b) to pick something pre 1970 that’s worth (re)visiting
and be ready to talk about your selection for two (2) minutes.
We suggest people have a listen to the discussion on novellas in the first 11 minutes of the recent Coode St Podcast (https://jonathanstrahan.podbean.com/e/episode-330-books-reading-and-wolves/) to prepare for the Critical Mass. As usual, 6:45 for a 7pm start on the first Wednesday at kappys, 22 Compton St near the central market.