Category: Snippets

I asked Ursula what she wanted to see happen to her books after she died. I’ll never forget what she said. I’ll share it with you now, as a reminder of how we are supposed to grieve her, even if we can’t read through the tears:

“I want them to be available, I want cheap paper editions of them, I want them to be continuously downloaded in forty different languages, I want them to be read, I want them to be argued about, I want people to cry over them, I want unreadable dissertations written about them, I want people to get angry with them, I want people to love them.”

— Claire L. Evans, journalist and  cofounder of Motherboard’s science fiction imprint, Terraform.
Full article on Motherboard

LeGuin was a Taoist, and released her new translation of Lao Tzu’s tao te ching in the 1990s. Her recording was released in 2009, and can be heard on Youtube:

Adelaide’s Cinémathèque has some goodies in store this season, including three awesome Andrei Tarkovsky films in March , and a slew of SF & F films April/May.

The Sacrifice

Wednesday March 14 | 7:00pm 4K restoration
1986 / 149mins / Sweden/UK/Fra

Winner of the Grand Prix at Cannes, his third as an ex-patriate and his last film, it is known as Tarkovsy’s homage to Ingmar Bergman, seen here in its 2017 beautiful 4K restoration. A middle aged ex actor, despairing and bitter at a changing world, tries to bargain with God when faced with an impending nuclear war. Shot by Ingmar Bergman’s longtime cinematographer Sven Nykvist, The Sacrifice contains some of the most powerful images in Tarkovsky’s monumental oeuvre. Perhaps its most transcendent moment is the penultimate scene, an epic, six-minute-long take that stands as one of the wonders of cinema. A powerful statement of humility in the face of the unknown, The Sacrifice is an exquisite parting word from one of the greatest  artists of the 20th century.

Stalker

Monday March 19 | 7:00pm
1980  / 162mins / Russia

The visual aesthetics, philosophical and psychological approach of this most highly lauded film influenced an entire generation of filmmakers working in the genre of dystopic sci-fi. An expedition is led by Stalker into the Zone to find the room where you can fulfil your innermost desires.  It remains a dense, complex, often-contradictory and endlessly pliable allegory about human consciousness, the necessity for faith in an increasingly secular, rational world and the ugly, unpleasant dreams and desires that reside in the hearts of men. Screenplay written by Boris and Arkady Strugatsky, loosely based on their novel Roadside Picnic (1972)

The starkness of its conception did not prevent the production traumas during its creation. Plans to shoot in Tajikistan had to be abandoned because of an earthquake. Having relocated to an abandoned hydroelectric power station in Estonia, Tarkovsky was dissatisfied with the cinematography and decided to shoot a pared-down version of the script all over again – in the same place. The price paid for this pursuit of an ideal is incalculable. Sound recordist Vladimir Sharun believes the deaths from cancer of Tarkovsky (in 1986), his wife Larissa and Anatoly Solonitsyn (who plays the Writer) were all due to contamination from a chemical plant upstream from the set.
* This is the film screening in the cinema in Atomic Blonde — in cyrillic,  “Сталкер”

The Mirror

Ranked by Sight and Sound as the 12^th greatest film ever made, this highly evocative, non-linear and loosely autobiographical film is said to capture the organic unfolding of memory, in this case the key events in the life of a dying poet.

The events are both highly personal such as a painful divorce as well as historical in regard to the great upheavals of 20^th century Russia.  The life is represented in such a way as to attempt the erosion or even abolition of the distinction between past and present. Tarkovsky worked on the script for over a decade and the film itself is the result of almost 40 major re-edits. The influence of Fellini and Ingmar Bergman can be seen in this film.

A 4 session pass to Cinémathèque is $40/$30; you’ll probably want to see Hard to Be A God on 23 April or one of the four other sf films in the After Year Zero sessions

The surreal, digitally altered photographs of Aydın Büyüktaş defy time and space, presenting his home city of Istanbul as though viewed through a wormhole.

His images are the culmination of his reading during his childhood and adolescence in Ankara – science fiction by writers such as Isaac Asimov and HG Wells, as well as scientific and technical journals. “These books made me question the issues of wormholes, blackholes, parallel universes, gravitation and bending of space and time,” he said by email from Istanbul.
— Elle Hunt, writing on Cities in the guardian

There’s a bargain hidden away in a corner of jb hifi: the blueray of the Reconstructed & Restored Metropolis from Fitz Lang is now available!

The post xmas sale means you can get a copy for $8!

This is the version which includes the missing 23 minutes from the Argentinian print, plus a new recording of the original score.

Interest in “Properties of Expanding Universes” is at an all-time high: Stephen Hawking’s doctoral thesis of that name crashed Cambridge University’s open-access repository on the first day the document was posted online.

The Cambridge Library made several PDF files of the thesis available for download from its website, […]
By late Monday local time, the well-known theoretical physicist’s thesis had been viewed more than 60,000 times, says Stuart Roberts, deputy head of research communications at Cambridge. He added, “Other popular theses might have 100 views per month.”

— item from  file770.com

Just to round off the year for Critical Mass, we invite you to jot down some notes on your best new discovery for the year, so that you can spend five minutes telling us about it. What genre book, film, TV show, comic or play took your fancy this year? Come along and tell us about it!

As it’s our last meeting for the year, we’re inviting you to join us for dinner after the meeting: around 8:15 at East of Norman, a short walk from the meeting at Kappy’s.
As usual, a 7pm start Wednesday night!

Directed by New Zealand’s Taika Waititi, [Ragnarok is] the daftest movie from the comic book studio to date, shot through with the anarchically quirky humour in Waititi’s films like What We Do in the Shadows, Hunt for the Wilderpeople and Boy.

Filmed on the Gold Coast at Hemsworth’s request and employing plenty of locals, including indigenous people, there are a surprising number of Aussie (and Kiwi) accents and in-jokes.

All of the spaceships featured in the film are named after Holden models, including the Statesman, the Kingswood, the Torana and the Commodore.

— more details in The New Daily: http://thenewdaily.com.au/entertainment/movies/2017/10/24/thor-ragnarok/