We thought we’d look at the Hugo nominees for Best Novella over the next few meetings.
Here are the suggested readings:
July 3rd
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com Publishing)
The Black God’s Drums, by P. Djèlí Clark (Tor.com Publishing)
Bonus: *Proof of Concept of Gwyneth Jones
Note: the Binti novella is the third of the series; you might wish to read the first two to get the full story.
August
Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com Publishing)
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press /
JABberwocky Literary Agency)
Bonus: *Time Was by Ian McDonald

Note that the bonus novellas (*) are three of five featured in Tor Editorial Spotlight #5, edited by Australia’s own Jonathan Strahan. The collection also includesThe Dream-Quest of Vellitt Boe by Kij Johnson and Agents of Dreamland by Caitlin R. Kiernan. 705pp for 5 novellas, around $15 as an ebook. More details at tor.com publishing
The “bonus” novella is just if you want to read some more, recent novellas.
Note: if you are a member of the Dublin worldcon, the hugo voter’s packet contains the full text of most of the nominees (see file770 ).
[ Supporting membership is 40 euros, which is approximately $AUS 65. Pretty good value for the packet contents.]
As usual, meeting at Kappys, 6:45 for a 7pm start.

Luis Ortiz is editor and publisher at NonStop Press […] with his new book he has surpassed himself. This immensely valuable and entertaining volume — purportedly the first of several — captures for posterity a chronologically delimited slice of the subculture of science-fiction fandom — currently dying or healthy; vanished or extant? — in such a manner that even those folks who have no prior inkling of the subculture — assuming they possess a modicum of curiosity and intelligence — should still be able to completely grok the subject matter and derive amusement and pleasure and wisdom from this richly annotated compilation. Although there have been earlier books which charted some fannish currents and waves — Moskowitz’s The Immortal Storm; Harry Warner’s A Wealth of Fable; Ted Cogswell’s Pitfcs: The Proceedings of the Institute for Twenty-First Century Studies — books which Ortiz acknowledges and cites, there has never, to my knowledge, been a survey like this one which vividly illustrates the topic with actual writing samples, derived from Ortiz’s incisive survey of over four thousand fanzines.
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